Superblack track pics
Z today. I'd appreciate any feedback, especially criticism. Thanks guys.
Trending Topics
Thread Starter
Registered User
Joined: Dec 2004
Posts: 520
Likes: 0
From: UCLA
It was a Canon D60 SLR with a not-so-good Canon lens. I have no money to slam her ( I would love an HKS Hypermax II kit so bad ), but I'm looking to drop her with some RS*R Ti2000 springs soon. This way I don't have to deal with camber too much, it's only a slight drop.
Registered User
Joined: Mar 2005
Posts: 107
Likes: 0
From: Indiana
Originally Posted by Santacruzslick
Last pic. looks kinda odd...musta been the angle. The car has almost no shine. LOL
Others look awesome though!
Others look awesome though!
Since you asked for criticism..
.
study your backgrounds as much as your subject. For example, the pole in shot two is an eyeshore and creates a distracting reflection. Same with shot 3 (close up of wheel); The parked cars in the background and reflections make an otherwise artful shot, ordinary. I'd also suggest trying to shoot during the morning or late afternoon hours to avoid the harsh overhead light...this would also have the bonus effect of introducing some much needed color into the shot since the car is black.
.
study your backgrounds as much as your subject. For example, the pole in shot two is an eyeshore and creates a distracting reflection. Same with shot 3 (close up of wheel); The parked cars in the background and reflections make an otherwise artful shot, ordinary. I'd also suggest trying to shoot during the morning or late afternoon hours to avoid the harsh overhead light...this would also have the bonus effect of introducing some much needed color into the shot since the car is black.
Thread Starter
Registered User
Joined: Dec 2004
Posts: 520
Likes: 0
From: UCLA
Originally Posted by 350Zenophile
Since you asked for criticism..
.
study your backgrounds as much as your subject. For example, the pole in shot two is an eyeshore and creates a distracting reflection. Same with shot 3 (close up of wheel); The parked cars in the background and reflections make an otherwise artful shot, ordinary. I'd also suggest trying to shoot during the morning or late afternoon hours to avoid the harsh overhead light...this would also have the bonus effect of introducing some much needed color into the shot since the car is black.
.
study your backgrounds as much as your subject. For example, the pole in shot two is an eyeshore and creates a distracting reflection. Same with shot 3 (close up of wheel); The parked cars in the background and reflections make an otherwise artful shot, ordinary. I'd also suggest trying to shoot during the morning or late afternoon hours to avoid the harsh overhead light...this would also have the bonus effect of introducing some much needed color into the shot since the car is black.
Thread
Thread Starter
Forum
Replies
Last Post
Lt_Ballzacki
Brakes & Suspension
39
Aug 6, 2021 06:19 AM
350Z_Al
Exterior & Interior
133
Oct 29, 2020 07:44 PM