Superblack track pics
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#9
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It was a Canon D60 SLR with a not-so-good Canon lens. I have no money to slam her ( I would love an HKS Hypermax II kit so bad ), but I'm looking to drop her with some RS*R Ti2000 springs soon. This way I don't have to deal with camber too much, it's only a slight drop.
#11
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Originally Posted by Santacruzslick
Last pic. looks kinda odd...musta been the angle. The car has almost no shine. LOL
Others look awesome though!
Others look awesome though!
#12
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Since you asked for criticism..
.
study your backgrounds as much as your subject. For example, the pole in shot two is an eyeshore and creates a distracting reflection. Same with shot 3 (close up of wheel); The parked cars in the background and reflections make an otherwise artful shot, ordinary. I'd also suggest trying to shoot during the morning or late afternoon hours to avoid the harsh overhead light...this would also have the bonus effect of introducing some much needed color into the shot since the car is black.
.
study your backgrounds as much as your subject. For example, the pole in shot two is an eyeshore and creates a distracting reflection. Same with shot 3 (close up of wheel); The parked cars in the background and reflections make an otherwise artful shot, ordinary. I'd also suggest trying to shoot during the morning or late afternoon hours to avoid the harsh overhead light...this would also have the bonus effect of introducing some much needed color into the shot since the car is black.
#13
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Originally Posted by 350Zenophile
Since you asked for criticism..
.
study your backgrounds as much as your subject. For example, the pole in shot two is an eyeshore and creates a distracting reflection. Same with shot 3 (close up of wheel); The parked cars in the background and reflections make an otherwise artful shot, ordinary. I'd also suggest trying to shoot during the morning or late afternoon hours to avoid the harsh overhead light...this would also have the bonus effect of introducing some much needed color into the shot since the car is black.
.
study your backgrounds as much as your subject. For example, the pole in shot two is an eyeshore and creates a distracting reflection. Same with shot 3 (close up of wheel); The parked cars in the background and reflections make an otherwise artful shot, ordinary. I'd also suggest trying to shoot during the morning or late afternoon hours to avoid the harsh overhead light...this would also have the bonus effect of introducing some much needed color into the shot since the car is black.
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